Book covers that sell your story at a glance.

You'll receive your first samples within 10 days of your order. Most projects close inside 2–3 weeks once the revision rounds tighten up. Need it faster? We offer rush turnaround for an additional fee.

Tell us why and we'll keep going — we don't quit. But if after enough feedback you still don't see where we're headed, you get every dollar back. No questions, no negotiation. We've issued maybe a dozen refunds in 11 years. We'd rather get it right than keep your money.

If your book isn't selling within a year of cover delivery, we'll redesign it for you at no charge. As a small studio, we can offer attention and care most agencies can't match — and we stand behind every cover for a full year.

Yes — JPG/PNG for ebook (1800×2700, 300dpi), and a CMYK PDF wrap for print on the DaVinci and Warhol packages. Ready for KDP, IngramSpark, Apple Books, Kobo, B&N, and the rest.

Because our covers actually sell more books. They convert browsers into buyers, manage reader genre expectations, and remove buyer friction at the click moment. The cover is the single biggest lever in your marketing — pricing it like a logo design is how you end up unpublished a year later.

Yes. Start with Dali if you're not sure — once you're thrilled with your cover, you can upgrade to DaVinci for the print wrap, or to Warhol for the full launch kit, anytime.

It's a challenge because a LOT of authors want NO AI! But there's no real value to getting a human to do it slower, more expensive and probably not as good. At the same time, you definitely don't want a lazy free image generator to make a cover that screams AI or you'll be torn apart by the mob. That leaves me. I've been a designer for 20 years, a lot of publishing experts actually use me as a resource. I understand this business; but I've also spent thousands training AI to replace me, so I have some control over the inevitable, and because AI can do what I do much faster. Instead of spending 10 hours outlining a character to remove the background, Photoshop now has built-in tools that make background removal easy. I promise, having a human spend 10 extra hours for something the computer can do better anyway is not a good use of their time or your money... pay for the creativity, but allow your designers to focus on what really matters.

You still get human oversight. It's still me doing the work, but I do use AI in my process (unless you opt out completely, which is 100% fair and we will always honor your wishes). But here's the good news: we don't make slop. Your cover will look as good as any airport store NYT bestseller. It won't have any of the common signs people use to identify AI (because it won't be, not really, we just may generate unique elements or images to Photoshop together the old fashioned way, instead of being forced to choose the same crappy royalty free image every other designer is using to make a cover that will look like everyone else's). Our covers are unique, because we take advantage of the best new tech. And while it's noble to want to support artists, you're an author too, and there's nobody else who will look out for your business when your human-but-amateur or outdated cover design makes your book dead on arrival. And let's be honest, if you're hiring a cheap designer on Fiverr.com, there's a good chance they'll be using AI anyway and just lying to you about it.

No — you do. Full commercial rights transfer to you on final delivery. Print as many copies as you want, in any format, forever. We just ask permission to feature it in our portfolio.

Yes — and it's one of our specialties. We'll design book one with the full series in mind, then carry the typography, palette, and composition system through every subsequent release. Discount for 3+ books in a series.